Before commissioning a capability statement, gather the information a prospective client needs to judge whether your business fits their work. Give your designer a clear audience, an accurate description of your services, selected project evidence and the formats you need. Agree who will write missing copy, check the facts and approve the finished document.
That gives the design a useful job: helping someone understand what you can deliver and decide what to ask you next. It also makes the scope easier to agree before time is spent laying out incomplete material.
01
Decide where the document will be used
A capability statement brings together what a business offers and the evidence behind it. It might be a one-page introduction or a longer document, depending on how you will use it. Business Queensland's overview explains that range of formats. For a specific opportunity, follow the recipient's requirements.
For your brief, describe a specific use. Will the document follow an introductory conversation with a main contractor? Support a meeting with an architect? Sit beside a proposal for a particular package?
Those situations may call for different selections from the same material. If the recipient has supplied questions, a template or file requirements, include them in the brief. A designed company introduction does not answer a buyer's separate questions automatically.
02
Choose the information before the page count
Start with a rough content list. A designer can then propose a layout that gives the important details enough space. Trying to fit every service, photograph and certificate onto a predetermined number of pages can make the result difficult to use.
For an initial conversation, consider whether the reader can answer these questions:
- What work does this business take on, and for whom?
- Which parts of a project does it design, supply, install or manage?
- Where does it operate, and what practical limits apply?
- Which completed projects help explain that experience?
- Who should I contact about a possible requirement?
Include other information when it helps that reader assess the business. Ask the person responsible to check statements about available capacity, qualifications or credentials. Avoid filling gaps with broad claims such as “all sectors” or “complete service” if your actual offer is more specific.
03
Build an evidence pack the designer can use
Keep approved material together, with a short contents note. Separate copy that is ready for layout from rough notes that still need writing or review.
For each selected project, supply a concise account of your role, the relevant work and its completion status. Add photographs with clear filenames and a note explaining what they show. Record the permission and credit information alongside them. If the client or location cannot be named, say so before the first draft.
Make the connection between a statement and its supporting material explicit. For example, a claim about working within an occupied building needs an approved account of that experience. A photograph of the finished room cannot explain the access arrangements on its own. Our guide to writing a construction project case study helps you gather the underlying story.
Keep a small review list for facts that may change. Note the source, the person who can confirm it and when it was last checked. This is particularly useful for staff roles, coverage, current credentials and contact details. It gives the designer a clear route for resolving questions without guessing.
04
Show how the brief changes the design
Consider this hypothetical example, not a Crafters client result. A metalwork business wants a document to use after conversations with main contractors about installation packages. Its existing brochure opens with a long company history and a gallery of unrelated work.
The new brief could ask the designer to make the installation scope easy to find, followed by relevant package examples and a contact route. Each example would distinguish the business's own work from design or fabrication undertaken by others. The business would supply approved scope notes and select images that show the work being discussed.
The designer can now make informed decisions about sequence, captions and space. The company history might become a short supporting note. A photograph might need an explanatory caption rather than a full page. The reader's task gives the design a clear direction.
You can apply the same test to your draft: what does each section help this reader decide?
05
Agree writing, design and production separately
Tell the designer whether you are supplying finished copy or need help turning interviews and project notes into text. A folder of photographs and an old brochure may be useful source material, but they leave writing and fact-checking work to be assigned.
Include your current logo files, brand guidance and any layouts the document needs to sit alongside. If the identity itself needs changing, raise that at the start so the proposal can cover it properly.
List the outputs you will use. An email attachment, a presentation viewed on screen and a printed document may need different preparation. Agree the intended dimensions, digital export, print requirements, editable files and responsibility for future updates. Confirm printing arrangements separately instead of assuming they are part of the design fee.
Crafters' graphic design service covers content structure, design and production handover, with deliverables agreed in the brief. If the material needs substantial drafting, our construction copywriting service can form part of the discussion.
06
Review a draft as a reader would
Choose one person to collect feedback and resolve conflicting comments. Ask the technical or project lead to check the facts before the final production stage, while changes to the content are still manageable.
Then open the exported file on the devices you expect people to use. Can you read the smallest text comfortably? Do the headings explain the sections? Can you follow the links and find the contact details? Check that captions still match their photographs after revisions, and that any print version has been prepared for the agreed supplier specifications.
Ask someone unfamiliar with the document to explain the service back to you. If they describe a broader offer than you provide, revise the wording. If they cannot tell whose work is pictured, improve the caption. Those observations give you more useful feedback than a general request to make it look more impressive.
07
A short brief you can send
Use these prompts to prepare the first conversation. You do not need every asset ready, but identify what is available and what still needs work.
- Reader and situation: who will receive the document, and at what point in the conversation?
- Work to attract: which services or packages should it help them understand?
- Content available: which copy, project notes and photographs have been checked?
- Gaps and restrictions: what needs writing, confirmation or permission?
- Brand and formats: which files, digital outputs and printed items are required?
- Responsibilities: who supplies information, checks facts and gives final approval?
- Timing and budget: what is the actual deadline, what does it depend on, and what budget should the proposal work within?
- Handover: who will update the document, and which files or guidance will they need?
Keep the approved version easy to identify and remove superseded copies from the places your team normally uses. Review it when services, contact details or the selected project evidence change. Ask your team whether recipients can find the information they need, and use that feedback when you update it.
If you want help turning your material into a capability document, tell Crafters who it needs to reach. Send the current document if you have one, explain how it will be used and tell us which information still needs preparing.

